Strassner is unquestionably charming and his humor bubbles over in almost every scene, like a shot of energy through the whole feature. He struggles a bit in some of the more emotional moments but is still adequate but the biggest mistake, one that brings the movie to a skreeching halt, is an ill advised and poorly written sketch/improv "performance" in this style of The Groundlings(where he was trained). This sequence is so long and so cringe it almost singlehandedly brings the movie down a notch. This sequence was clearly written/improvised by Strassner(credited as co-writer) and there's a way to make it work but what we see ain't it. Larsen is a revelation, and she and Strassner have really electric infectious energy. Larsen brings a ton of depth and range and subtlety to her character and is just compelling and present from the jump. A working actor for years hopefully this ups her exposure as she clearly has an ocean of talent. The supporting cast is all talented and effective if not particularly inspired, one would presume some non-professionals or old comedy pals of Strassner's.
Visually the film is a bit pedestrian but it appears to be shot on location and conveys a wry, engaging affection for the titular city. The soundtrack and costuming is subtle and effective but ultimately what it does best is just let Larsen and Strassner be together and play, it's almost like a May-December Before Sunrise. The only fault is the "comedy show" scene and that Cliff's backstory is a bit overstuffed- he's in recovery, suicide, relationship and professional problems etc., it works OK but it's unnecessarily complicated and the resolution of it all causes the third act to slow.
An incredible Larsen makes up for any rough edges.
Currently in theaters.
Rent It.
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