I would want a boat, if I wanted a
boat, that bounded hard on the waves,
that didn’t know starboard from port
and wouldn’t learn, that welcomed
dolphins and headed straight for the
whales, that, when rocks were close,
would slide in for a touch or two,
that wouldn’t keep land in sight and
went fast, that leaped into the spray.
What kind of life is it always to plan
and do, to promise and finish, to wish
for the near and the safe? Yes, by the
heavens, if I wanted a boat I would want
a boat I couldn’t steer.
-Mary Oliver
Monday, February 29, 2016
Sunday, February 28, 2016
Oscar Rights And Wrongs
Best Picture- What won- Spotlight. A great film, no argument there but the film that critics loved and people came out in droves to see was Mad Max: Fury Road. Not only a superb piece of cinema but harmonic with the zeitgeist.
Best Actress- Who won- Brie Larson. Absolutely deserved for a magnificent performance in Room. The other nominees' performances are all relatively routine although there were some very interesting lead performances this year- Lily Tomlin in Grandma, Kitana Kiki Rodriguez in Tangerine, Charlize Theron in Mad Max: Fury Road, Teyonah Parris in Chi-Raq to name a few.
Best Actor- Who won- Leo DiCaprio. Certainly deserving, not for The Revenant which did not require much actual craft but for The Aviator and The Departed. The other nominees are all pretty negligible, familiar performances in standard awards season fair. Two majorly deserving male lead performances passed over this year were Samuel L. Jackson in The Hateful Eight and Michael B. Jordan in Creed.
Supporting Actress- Who won- Alicia Vikander for The Danish Girl. Who should have won- Alicia Vikander for Ex Machina. A much more complex, nuanced, difficult performance. Although not nominated Joan Allen in Room certainly should have been in contention, an under seen and under acknowledged turn.
Supporting Actor- Who won- Mark Rylance. A relative unknown who put in a "quiet" "understated" performance in the outmoded Bridge Of Spies. Who should have won- Sylvester Stallone. Not only is the actor a genre pioneer with a career that spans half a century and counting, an honest-to-goodness American legend, his performance in Creed is his best incarnation of Rocky since the original. A layered, emotional, compassionate performance. Criminally overlooked.
Adapted Screenplay- What won- The Big Short. It's a good film worthy of recognition especially given the care and precision with which Adam McKay translates and makes palatable the confusing financial ins-and-outs, well deserved validation for McKay as an artist capable far beyond broad comedy.
Original Screenplay- What won- Spotlight. Its a great film and deserving of recognition from the incredible ensemble cast to the tight, concise, compelling narrative. Devoid of flash, delivering substance. It would have been just however for Ex Machina to get some love for a script so imaginative, rich, and unique.
Documentary- What won- Amy. Amy is exploitative and thin, more a reveling in the deceased artist's addiction rather than a celebration of her creative contribution. What should have won- The Look Of Silence. Oppenheimer should have been honored in 2013 for The Act Of Killing but his follow up if not as sensational is dark, dangerous, and contemplative. An investigation of a real world issue exploring repugnant evil and stunning courage in equal measure.
Live-Action Short- What won- Stutterer. Easy to follow with predictable resolution, a pretentiously "quirky" love story. What should have won- Day One. A film by an Iraq War veteran, personal, poignant, and both bleak and hopeful. Way more stakes and relevance then the other pedestrian nominees.
Animated Short- What won- Bear Story. Interestingly animated and melancholic Bear Story is not unworthy of recognition but in a competition as competitive as this one was it did not necessarily distinguish itself. What should have won- World Of Tomorrow. Easily the most engaging, thought-provoking, and unique of all the nominees. Packed with insight, regret, humor, and a prescient look at the possible future it was head and shoulders above its fellow nominees.
Best Actress- Who won- Brie Larson. Absolutely deserved for a magnificent performance in Room. The other nominees' performances are all relatively routine although there were some very interesting lead performances this year- Lily Tomlin in Grandma, Kitana Kiki Rodriguez in Tangerine, Charlize Theron in Mad Max: Fury Road, Teyonah Parris in Chi-Raq to name a few.
Best Actor- Who won- Leo DiCaprio. Certainly deserving, not for The Revenant which did not require much actual craft but for The Aviator and The Departed. The other nominees are all pretty negligible, familiar performances in standard awards season fair. Two majorly deserving male lead performances passed over this year were Samuel L. Jackson in The Hateful Eight and Michael B. Jordan in Creed.
Supporting Actress- Who won- Alicia Vikander for The Danish Girl. Who should have won- Alicia Vikander for Ex Machina. A much more complex, nuanced, difficult performance. Although not nominated Joan Allen in Room certainly should have been in contention, an under seen and under acknowledged turn.
Supporting Actor- Who won- Mark Rylance. A relative unknown who put in a "quiet" "understated" performance in the outmoded Bridge Of Spies. Who should have won- Sylvester Stallone. Not only is the actor a genre pioneer with a career that spans half a century and counting, an honest-to-goodness American legend, his performance in Creed is his best incarnation of Rocky since the original. A layered, emotional, compassionate performance. Criminally overlooked.
Adapted Screenplay- What won- The Big Short. It's a good film worthy of recognition especially given the care and precision with which Adam McKay translates and makes palatable the confusing financial ins-and-outs, well deserved validation for McKay as an artist capable far beyond broad comedy.
Original Screenplay- What won- Spotlight. Its a great film and deserving of recognition from the incredible ensemble cast to the tight, concise, compelling narrative. Devoid of flash, delivering substance. It would have been just however for Ex Machina to get some love for a script so imaginative, rich, and unique.
Documentary- What won- Amy. Amy is exploitative and thin, more a reveling in the deceased artist's addiction rather than a celebration of her creative contribution. What should have won- The Look Of Silence. Oppenheimer should have been honored in 2013 for The Act Of Killing but his follow up if not as sensational is dark, dangerous, and contemplative. An investigation of a real world issue exploring repugnant evil and stunning courage in equal measure.
Live-Action Short- What won- Stutterer. Easy to follow with predictable resolution, a pretentiously "quirky" love story. What should have won- Day One. A film by an Iraq War veteran, personal, poignant, and both bleak and hopeful. Way more stakes and relevance then the other pedestrian nominees.
Animated Short- What won- Bear Story. Interestingly animated and melancholic Bear Story is not unworthy of recognition but in a competition as competitive as this one was it did not necessarily distinguish itself. What should have won- World Of Tomorrow. Easily the most engaging, thought-provoking, and unique of all the nominees. Packed with insight, regret, humor, and a prescient look at the possible future it was head and shoulders above its fellow nominees.
Saturday, February 27, 2016
Dear March - Come in
Dear March - Come in -
How glad I am -
I hoped for you before -
Put down your Hat -
You must have walked -
How out of Breath you are -
Dear March, how are you, and the Rest -
Did you leave Nature well -
Oh March, Come right upstairs with me -
I have so much to tell -
I got your Letter, and the Birds -
The Maples never knew that you were coming -
I declare - how Red their Faces grew -
But March, forgive me -
And all those Hills you left for me to Hue -
There was no Purple suitable -
You took it all with you -
Who knocks? That April -
Lock the Door -
I will not be pursued -
He stayed away a Year to call
When I am occupied -
But trifles look so trivial
As soon as you have come
That blame is just as dear as Praise
And Praise as mere as Blame -
-Emily Dickinson
How glad I am -
I hoped for you before -
Put down your Hat -
You must have walked -
How out of Breath you are -
Dear March, how are you, and the Rest -
Did you leave Nature well -
Oh March, Come right upstairs with me -
I have so much to tell -
I got your Letter, and the Birds -
The Maples never knew that you were coming -
I declare - how Red their Faces grew -
But March, forgive me -
And all those Hills you left for me to Hue -
There was no Purple suitable -
You took it all with you -
Who knocks? That April -
Lock the Door -
I will not be pursued -
He stayed away a Year to call
When I am occupied -
But trifles look so trivial
As soon as you have come
That blame is just as dear as Praise
And Praise as mere as Blame -
-Emily Dickinson
Friday, February 26, 2016
'Gods Of Egypt' A Review
Gods Of Egypt is a fantasy movie revolving around the ancient Egyptian pantheon. During the coronation of Horus(Nikolaj Coster-Waldau) as the new king, the crown passed on by his father Osiris, big bad uncle Set(Gerard Butler) interrupts the ceremonies, kills Osiris, blinds Horus, and seizes the crown. Some time later with the help of gregarious thief Bek(Brenton Thwaites) Horus sets out to regain his eyes and his crown.
First things first- the casting is offensive. Call it Hollywood white-washing or brown-face it is mystifying this type of casting practice is still prevalent. Not only are white actors playing Egyptians and Egyptian gods none of them do it particularly well. But, and there is a big but, in some ways that is kind of immaterial or at least can be pardoned because of how deliciously insane the action is and how lavish and vivid the visuals are. Ten foot tall gods turn into fifteen foot tall metallic animal hybrids, two beautiful snake-women ride two giant fire breathing cobras, golden clad gods bleed gold, the sun god Ra flying in a space boat around a flat earth towing the sun and fighting a intergalactic smoke worm, on and on. It's almost as if its propelled by its own internal chaotic madness rather than the paper-thin plot.
The cast has accent problems and struggles with the clunky script but the incredibly imaginative production design and frenetic kaleidoscopic action make for a fun crazy ride.
Questionable but bizarrely delighting.
Rent It.
First things first- the casting is offensive. Call it Hollywood white-washing or brown-face it is mystifying this type of casting practice is still prevalent. Not only are white actors playing Egyptians and Egyptian gods none of them do it particularly well. But, and there is a big but, in some ways that is kind of immaterial or at least can be pardoned because of how deliciously insane the action is and how lavish and vivid the visuals are. Ten foot tall gods turn into fifteen foot tall metallic animal hybrids, two beautiful snake-women ride two giant fire breathing cobras, golden clad gods bleed gold, the sun god Ra flying in a space boat around a flat earth towing the sun and fighting a intergalactic smoke worm, on and on. It's almost as if its propelled by its own internal chaotic madness rather than the paper-thin plot.
The cast has accent problems and struggles with the clunky script but the incredibly imaginative production design and frenetic kaleidoscopic action make for a fun crazy ride.
Questionable but bizarrely delighting.
Rent It.
Thursday, February 25, 2016
'Crouching Tiger, Hidden Dragon: Sword of Destiny' A Review
Crouching Tiger, Hidden Dragon: Sword of Destiny is a martial arts movie, a sequel to the 2000 original. After the death of Sir Te, steward of the fabled sword Green Destiny, Yu Shu Lien(Michelle Yeoh) has come out of seclusion to pay her respects. A blind enchantress(Eugenia Yuan) convinces local warlord Hades Dai(Jason Scott Lee) that now's the time to go after the fabled blade, he sends Wei-Fang(Harry Shum, Jr.) who is quickly captured by Lien's new student Snow Vase(Natasha Liu Bordizzo). Silent Wolf(Donnie Yen), a former lover of Lien's who she thought dead, comes along with a group of warriors to bolster defense against the warlord's inevitable follow up attack.
The most jarring thing about all the performances is that they're in English. Although mostly passable the fact the dialogue isn't in Chinese is incredibly distracting and makes for some odd tonal inconsistencies. Yeoh is decent in a return to her role from the original and the remaining actors are serviceable however there's a lack of inspiration and energy running throughout the entire cast. This may be a direct result of the erratic nature of the script which jumps from melodrama to action to broad comedy with no seeming motivation or purpose.
The action sequences are staged with appropriate and pleasing flourish but they lack the poetry of the original, more functional than cinematic. They are further diminished by the lack of depth in the characters who participate in them. The plot is but a thin regurgitation of the original without any of the balletic visuals or emotional depth.
Pedestrian and plodding.
Don't See It.
The most jarring thing about all the performances is that they're in English. Although mostly passable the fact the dialogue isn't in Chinese is incredibly distracting and makes for some odd tonal inconsistencies. Yeoh is decent in a return to her role from the original and the remaining actors are serviceable however there's a lack of inspiration and energy running throughout the entire cast. This may be a direct result of the erratic nature of the script which jumps from melodrama to action to broad comedy with no seeming motivation or purpose.
The action sequences are staged with appropriate and pleasing flourish but they lack the poetry of the original, more functional than cinematic. They are further diminished by the lack of depth in the characters who participate in them. The plot is but a thin regurgitation of the original without any of the balletic visuals or emotional depth.
Pedestrian and plodding.
Don't See It.
Wednesday, February 24, 2016
Graffiti 195
"In the end, all that time I spent in the 'Star Wars' universe fostered galaxies of creativity and made me a better person here on Earth, because it taught me that everyone counts. That's why I can sincerely and with a straight face say: 'May the Force be with you.'" -Chris Hardwick
"I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interacting with props." -Louis Leterrier
"I never got into 'Star Wars.' Maybe because they made no attempt to portray real physics. At all." -Neil deGrasse Tyson
"'Star Wars' hasn't changed my life at all." -Natalie Portman
"I'm a 'Clash of the Titans'/'Star Wars' baby. I'm not a new 'Star Wars' baby. I'm not an 'Avatar' baby. That full CG doesn't work for me. I need interactivity. I need to feel the goo. I need to feel people coming out of animatronics and just interacting with props." -Louis Leterrier
"I never got into 'Star Wars.' Maybe because they made no attempt to portray real physics. At all." -Neil deGrasse Tyson
"'Star Wars' hasn't changed my life at all." -Natalie Portman
Tuesday, February 23, 2016
SaMi
A drunken night
six years ago
I had not expected
to see you there,
did not know
you were in town
from faraway Detroit
where you were
involved in some
questionable
real estate endeavor.
We drank much
and quickly you
brought up the past
the tape I made you
some ten years before
when both of us
were but awkward teens,
your ridicule
was sharp
and severe
the litany of
songs you recalled
with such scorn
successive blows
to my pride
and perception.
I thought us friends
and your thinly veiled
resentment seeming
undiminished by the years
left me shocked
and chastised.
I fled
six years ago
and haven't seen you since.
Unexpected
the memory returns
aftershocks of shame and confusion.
six years ago
I had not expected
to see you there,
did not know
you were in town
from faraway Detroit
where you were
involved in some
questionable
real estate endeavor.
We drank much
and quickly you
brought up the past
the tape I made you
some ten years before
when both of us
were but awkward teens,
your ridicule
was sharp
and severe
the litany of
songs you recalled
with such scorn
successive blows
to my pride
and perception.
I thought us friends
and your thinly veiled
resentment seeming
undiminished by the years
left me shocked
and chastised.
I fled
six years ago
and haven't seen you since.
Unexpected
the memory returns
aftershocks of shame and confusion.
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