Anderson gives a titanic performance, awards worthy although she will most likely be overlooked as this is a genre indie. She's totally present, totally evocative, in full control of her powers. Alluring and vulnerable, melancholic yet hopeful. It is stunning and even if some of the film's eccentricities may not be for a wide audience(it's pretty out there) she alone makes this a must watch. Einbinder's character is a bit more straight-forward but she too is compelling and emotional. The two fluidly glide between the myraid of ideas and tones with a grace the film absolutely requires.
Visually the film is rich and evocative, packed to the gills with love of the cinema, horror, and particularly slashers. Reminiscent of Stephen Graham Jones's Indian Lake Trilogy in that it celebrates the slasher, pays homage, and takes it further, providing more depth, for our modern times. The sets, the paintings, everything is lovingly and meticulously constructed. It is so full of ideas, so ambitious in what it's doing, it can be overwhelming but it is, without question, worth the investment.
A love letter to cinema, horror, and identity with a performance-of-the-year from Anderson.
Currently in theaters.
Don't Miss It.
