its the stories
we tell ourselves
There's not much in the script for the cast to do. Pedro Pascal as the titular Mandalorian has a couple nice moments with the puppet Grogu but those are few and far between and after burning through guest stars in the show the only other big names involved are Sigourney Weaver who's barely in it and Jeremy Allen White who provides, maybe, one of the worst and uninspired vocal performances in Star Wars cannon, some but not all his fault as the character Rabba The Hut on the page is repetitive and corny and the rendering is laughable.
The production is an odd mish-mash of styles and tones but more importantly quality. It looks like the movie was made on a budget and about half of the CG is 00's era bad. The only saving grace is the score, a staple of the show, and here composer Ludwig Göransson gets to really stretch in a way the show didn't have the space for. That at least is top notch.
Otherwise, the main and glaring issue is the script, after seasonal diminishing returns with the show turning this into a feature is somewhat baffling. On top of that it is so fraught with lore both from the show that inspired it as well as greater Star Wars cannon it would be virtually impenetrable for anyone not familiar. Tonally it's unclear if this is aimed at adults for nostalgia's sake or grade schoolers and that tension ultimately tears the movie down the middle. Part of the issue is the pacing, there's tons of action but without any character development or dimension it rings incredibly hollow, the concern is so much on keeping momentum and attention any actual depth is lost.
The last gasp of a great idea.
Currently in theaters.
Don't See It.
Like many of this particular brand of bio-doc there's not much depth here, more like a greatest-hits, which isn't bad or undeserved! Short is a singular talent with a long and eclectic career and it's fun and funny to revisit his characters and roles or discover some for the first time. But given his life includes quite a bit of untimely death and subsequently grief little time is really paid to that aspect aside from a platitude or two. Little time is given to how he actually created his characters or what is creative process is, one of the best sequences is him describing an SNL character, intercut with the sketch itself, inspired by a hyper-defensive make-up artist. Familial(and personal) substance use is clearly a pertinent topic(to what degree is certainly up for debate) but that is not addressed or really acknowledged.
The film is a sweet, relatively shallow, retrospective. Gives Short some much-deserved flowers, entertaining but thin.
Currently streaming on Netflix.
Stream It.