Lewis, no surprise, is wonderful here absolutely locked in to the playful expressionistic tone conveying yearning, vulnerability, and subtely but effective explores identity. Mathis and Tunney are great to see and great, in this, providing some humor and further to bolster the unique and engaging tone. Melanie Griffith is a pitch perfect narrator and Mamoudou Athie as Olivier who becomes enraptured with Camille-as-chair is equally effective. All-in-all a stellar cast all focused and working together in service of this quirky yet stirring vision, gliding from drama to comedy to subtle poignancy with an assured deftness.
Visually the film is understated but expressive, with some dream sequences, magical realism, and symbolic editing that isn't flashy but is singular and effective. The costuming is stellar and razor sharp and the score is minimal but effective. Writer/director Amanda Kramer's vision is clear and fully realized, given the small scale she's able to actualize one of the best films of the year.
Women becomes chair: a meditation on the nature of being.
Currently in theaters.
Don't Miss It.
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