'Obsession' A Review

Obsession is a cringe horror set in an ambiguous time about a group of ambiguously aged friends. Perpetually hang-dog borderline-pathetic incel-presenting Bear(Michael Johnston) consults his frat bro cliche friend Ian(Cooper Tomlinson) about confessing his feelings to Nikki(Inde Navarrette) their friend who is very transparently only interested in Bear as a friend even though Sarah(Megan Lawless) the 4th in the friend foursome very much is. Bear balks when he gets his opportunity to be honest with Nikki, makes a wish with a knick-knack he bought that Nikki love him and then she does but it's weird!

Navarrette is the clear star and standout putting in a captivating layered performance both physical and emotional. The whole movie hangs on what she's able to do and all the menace as well as all the pathos comes from her. Both Johnston and Tomlinson are miscast, neither demonstrate much in the way of range presenting the same emotion and facial expression in virtually every scene. It's especially startling in contrast to Navarrette and to a lesser extent Lawless(who just has less screentime), who come across as real actors conveying characters that resemble actual humans. 

Visually the film is rich, stylized and effective, the score equally so. The production design, shot mostly on location LA, is evocative. The main issue is mostly with the script, the ground covered feels very derivative, monkey paw 101, and the story isn't taken in any new or unique directions, it's basically just that classic premise played out over almost two hours, it feels more like a short than a feature. Without Navarrette's performance the whole thing would really stall.

It's impossible not to compare this with the other Gen Z youtube creator directed box office scorcher right now Backrooms. Both stumble in terms of narrative but Backrooms has the captivating location to really hold interest. Obsession has Navarette but she can only do so much and ultimately the themes are immature and simple, the characters thinly drawn, and the overall impact is more pedestrian.  But both have really got the Gen Zers to the theaters and regardless that is a huge success. Part of the box office issue was not only the pandemic disruption but that disruption coming at a pivotal time for the 18-34 demo, historically hugely important to the box office, but slowly but surely they are coming back and it's important they have movies that speak to them from creators that are their contemporaries.

A Christmas Carol for an incel.

Stream It.