Hall gives a tour de force performance, the most meaty and ecstatic of her career, she finds an incredible balance of the mental illness and anti-social nature of Christine with a lively sense of charm, wry humor, and empathy. You never question that her mother and co-workers like her but you understand clearly that they are challenging relationships. Letts gives a great turn as the harrowed boss, he and Hall share some entertaining combative scenes which are underscored by the clear affection and respect between the characters. Michael C. Hall, Timothy Simons, Kim Shaw, and most notably Maria Dizzia round out the news room and give dimension and emotion to the ensemble. Christine although not a success as she would see it is liked and respected by her co-workers, there is no cliched bullying or ill treatment. In reality we seemingly get an engaging look at how a local news room may have functioned during that time and are invited into their seemingly insular club with warmth.
Rich visuals, an eerie foreboding score, and the use of super 8 footage and repeated scenes of the news team manipulating film serve to elevate this already captivating tragedy to real artistry.
A stunning lead, a rich ensemble, sharp engaging production design.
Don't Miss It.
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