and the unknown
Thursday, April 21, 2022
Saturday, April 16, 2022
'Sonic The Hedgehog 2' A Review
Sonic The Hedgehog 2 is an action/comedy based on the video game series, a sequel to the 2020 movie. Sonic(Ben Schwartz) is living with his adopted parents sneaking out to fight crime when Dr. Robotnik(Jim Carrey) along with Knuckles(Idris Elba) come to earth to seize the hidden Master Emerald with Sonic is tasked with protecting.
Carrey brings the same Ace Ventura energy but is not utilized as much or as effectively as in the first installment. The voice cast are all decent but Schwartz's wise-cracking is paired down a bit, a result of the script not the performance, either way it makes the character a bit less interesting. The best parts, oddly, are the sections at a destination wedding with the IRL actors, with the best sequence revolving around Natasha Rothwell going full on woman scorned.
Visually a little bland, there is one pretty cool slow-mo CGI action sequence and the wedding sequence mentioned above, but in total for a two hour movie not nearly enough action or fun or comedy. One of the things that made the first movie fun and interesting was how odd it was, how eccentric, here all the weirdness is smoothed out and the result is relatively flat.
Low grade, low impact, generic blockbuster.
Currently in theaters, coming soon to VOD.
Stream It.
Sunday, April 10, 2022
Vibe City
"Chicago comes on slow, like a migraine"
Thursday, April 7, 2022
'Everything Everywhere All At Once' A Review
Everything Everywhere All At Once is a scifi dramedy about Evelyn(Michelle Yeoh) a wife and mother struggling under familial as well as professional pressures as her laundromat is being audited when a strange change comes over her husband Waymond(Ke Huy Quan) who then tells her he is actually a version of her husband from an alternate reality and that all the parallel worlds, including Evelyn's own, are under threat and she is the only one who can save them.
Yeoh puts in an award worthy, all-time career best, performance. She's able to deploy her, considerable, martial talents as well as display a wide range of both comedic and dramatic ability that she has previously, at least in Hollywood, not been given the opportunity to do, and she absolutely soars. It's a complicated, layered, absolutely dynamic portrayal full of laughs and pathos and crisp thrilling action. Utterly stunning. Quan, having mostly retired from on-screen acting, makes a titanic comeback, he is fluid and electric, masterful in his switches between versions of his character and adept at the bizarre and ever shifting tone as well as glorious in the fight sequences. Both Yeoh and Quan are transcendent in their multi-faceted exuberant roles. Stephanie Hsu as Joy, Evelyn and Waymond's daughter, is equally emotional and plays beautifully off Yeoh and Quan and she has equal facility with the changes of character and the roiling mix of genres. The other stand out, admist the truly delicious supporting cast, is Jamie Lee Curtis as the auditor who goes wonderfully big and broad.
Visually the film is kaleidoscopic, with impeccably crisp fight choreography, psychedelic editing, deeply rich production design and costuming, it is so assured and could so easily become messy yet it folds and ties together perfectly. And perhaps there is periodic confusion when the plot twists on itself, then twists again, but in those moments the humor and stunning and effecting emotion carry it through. Further description of the narrative would only serve to ruin its lavish surprises.
A triumph.
Currently in theaters, coming soon to VOD.
Don't Miss It.
Tuesday, April 5, 2022
Saturday, April 2, 2022
'Apollo 10 1/2' A Review
Apollo 10 1/2 is an animated coming-of-age semi-autobiographical movie from writer/director Richard Linklater. The movie opens with the fantasy recruitment of the ten year old Stanley for the fictiously titular space mission. Vignettes of Stanely's childhood in 60's suburban Houston are juxtaposed with his fantasy sequences in space.
The voice cast and some of the live-action acting that was then rotoscoped are all serviceable none of the acting is particularly ambitious or demanding per-say. The tone is very light and nostalgic which is somewhat offset by the relatively casual(but brief) depictions of child beating and racism. Overall the feel is nice but not particularly insightful or intriguing.
Like many Netflix movies with higher profile talent behind them the effect is watchable, palatable, but ultimately forgettable. Like a Twinkie.
Currently streaming on Netflix.
Stream It.
Friday, April 1, 2022
'The Lost City' A Review
The Lost City is a romcom/adventure about grieving romance novelist Loretta Sage(Sandra Bullock) who is forced to go on a book tour with her cover model Alan(Channing Tatum) by her publicist Beth(Da'Vine Joy Randolph) despite her reticence. After the first event goes poorly Loretta is escorted to a meeting with eccentric billionaire Abagail(Daniel Radcliffe) who has discerned her knowledge of antiquity from her latest book and wants her to translate directions to an ancient treasure.
Bullock brings her undeniable charm and comedic ability to the role and its nice to see her return to this type of part, which she hasn't done in about a decade, she's got great chemistry with Tatum and has a understated but confident acuity with the humor and action. Tatum is a pleasure to watch as usual and he takes evident pleasure playing opposite Bullock. But Radcliffe is the one who's really having a ball as the over the top, mustache twirling, villain, it's really delicious. Randolph is great if somewhat underutilized and Brad Pitt has a wonderful, frenetic supporting role. All in all a pretty flawless cast.
A serviceable production that doesn't have much flash or uniqueness but gets the job done, solid location shooting with some decent and judicious CGI, an engaging score with some effective needle drops, all taken together its fun and it works if not terribly different. The movie is in the laudable tradition of Romancing The Stone and its great to get a movie like that now particularly that isn't a reboot or sequel. If there is a fault it's that the runtime is a bit long, the first act is absolutely propulsive and things roll in the third but the middle is bogged down by tonal confusion and stagnated momentum, it doesn't ruin it but it brings it down a bit. It would really cook at 100 minutes.
A great cast, compelling romance, and fun action if lacking some umph.
Currently in theaters, coming soon to VOD.
Rent It.



