a communal cathedral
and in our togetherness
are we focused
on the moment
the present time
Pitt brings his patented movie star charm and ease and it works well if not pitch perfect like his turn in Once Upon A Time In Hollywood. Idris struggles a bit to carve out a full character but he's still compelling and a decent foil for Pitt. Condon is wonderful(if woefully age inappropriate as Pitt's love interest), it's great to see her in a blockbuster as she's mostly been turning in great performances in indie fair the last decade or so. The rest of the supporting cast bolster the leads and fill out the movie well, there's not a lot of nuance or depth but this isn't that kind of movie, it's a spectacle blockbuster.
Visually the movie is thrilling, the multiple races all shot with an evocative POV where you real feel like you're there, it's more transportive and exciting than actually watching Formula One racing. The score is simple and effective, the runtime is a bit overlong but it's easy not to begrudge director Joseph Kosinski given how much action there is and similar to his last summer movie success Top Gun: Maverick it is extremely potent at what it is trying to be- a popcorn movie with broad appeal.
Not particularly complicated, a transparent commercial for Formula One, yet a solid, effective, exciting piece of entertainment.
Currently in theaters.
See It.
Through archival footage and talking head interviews the story of the scrappy college students who played the greatest professional basketball team ever assembled on their march to the gold is told. There's not a lot to it that can't be gleaned from the title and it's a times a little hokey but still an entertaining low stakes, small scope, sports doc set in one of the greatest times for the game- the 90's.
Fun, fell good, if a little thin. A diverting flick if no where near the impact of something like The Last Dance or a top tier 30 For 30.
Currently streaming on Max.
Stream It.