Punam: I like the way you eat yogurt.
The other day Punam said this to me and it just made me feel happy. Compliments are great and everyone needs them. Big ones, small ones, inconsequential ones, what have you. People need a certain amount of validation. A certain amount of positivity in their lives. Humans are social creatures and we need to know(and be reminded) that other humans like us.
I've noticed recently that a lot of people can't take a compliment. People shrug them off or deflect them. I don't know if it's unwanted attention or what. It's easy on Facebook to say whatever you want but when someone tells you to your face they like the way you look or like what you did onstage or whatever the automatic reply is often a deflection.
You may feel ugly or grumpy or out of sorts but if someone compliments you take it for face value. Enjoy it. Let it lift you out of the funk you're in as opposed to letting it dig you even further in it because you're sure the person is saying it just to be nice.
Sure people say things just to be nice sometimes. But if a friend or loved one compliments you more often than not it's sincere.
Soak it in.
Wednesday, February 27, 2013
Tuesday, February 26, 2013
British TV Is Way Better Than American TV
The final episode in the season aired this week and it just makes me wonder. Why aren't there any shows on like this in the US? Why isn't there any programming that really challenges the viewer? Any programming that takes any risk?
Recently the best shows I've seen, the ones I've got hooked on have all been BBC shows: Jeckyl, Luther, Sherlock, and now Black Mirror. They all take risks, have engaging actors playing engaging characters, have stories that actually move, and have definitive narrative arcs.
The problem with US TV is that, for the most part, it's run by studios who are sluggish and complacent. A bunch of people who are satisfied with the status quo and have no desire to try anything new. There is so much TV in the US which is just mind-numbing time-waste. The same people doing the same things ad infinitum. People want to watch a variety of stuff, people want to be challenged, to be engaged, but they settle for whatevers in on. I think the studios need to give their writers more leeway to develop projects they think are interesting as opposed to something they know will get the bare minimum of viewers to satisfy Pringles.
We also need to do away with such long seasons and series. Sit-coms, sure, they can go on as long as their viewing necessitate but TV drama is a different story. Shows like The Killing, The Following, The Walking Dead, FlashFoward, and Lost especially(to name a few) would have benefited(would still benefit) from a fixed number of episodes. A story line that is sketched out. A definitive narrative ending. Just because a show becomes popular doesn't give the studio the right to elongate it and ruin it. TV is a story telling medium, tell good stories, good stories have a beginning a middle and an end.
And Netflix, House Of Cards is just West Wing with worse dialogue and more sex. Step it up.
Monday, February 25, 2013
Graffiti 90
Recently I've felt a little bogged down. By negativity and judgement. I know these things will get me nothing but they are easy, slippery, sucking things. I have to remind myself daily to avoid them. To expel them. To keep my heart open and inviting. To keep my mind clear and kind. To keep my spirit hope filled.
"The mind can calculate, but the spirit yearns, and the heart knows what the heart knows." -Stephen King
"The mind can calculate, but the spirit yearns, and the heart knows what the heart knows." -Stephen King
Sunday, February 24, 2013
Out Of It
At the Schwa show tonight I checked out about half way through. It wasn't that the show wasn't going well because it was. We were moving really fast and getting a lot of laughs. At a certain point I realized everything I wanted to do or was trying to do or ideas that I had were being passed over, deflected, interrupted, overrun. And I decided to stop trying.
I felt really funky afterward. The first show I've had in a long time where I came off stage not having had any fun. We talked it over and I think my teammates were all a little surprised about how down I was about it. They certainly didn't mean to make me feel bad and they all felt sorry about it.
I talked to Craig about it in depth and it made me realize the situation a little clearer. The show was going a certain way, had a certain pace, had a certain feel, and I just didn't really want to play that particular kind of show. I wanted and was trying to do some grounded scenes and that just wasn't the show for that. It was a high-energy pedal-to-the-metal type show and I didn't want it to be that. And that's fine. From time to time you aren't in the mood or you take a back seat in a show and that's fine. You just deal with that. For me I almost never take a back seat in a show so when I feel myself doing that I don't like it. That's something I need to work on. Also I'm a professional. I should act that way. If a show is going on I'm not crazy about doing I still have the ability to contribute and participate. I have the skill, I need to work on the maturity or presence of mind or whatever to deal with it, suck it up, and pitch in. If my ideas aren't being accepted push it and get them in there or go whole hog with someone elses.
Overall it was a learning experience. I didn't enjoy the show but I think I learned more from it than from the last month of really fun shows.
We learn more from failure than success.
I felt really funky afterward. The first show I've had in a long time where I came off stage not having had any fun. We talked it over and I think my teammates were all a little surprised about how down I was about it. They certainly didn't mean to make me feel bad and they all felt sorry about it.
I talked to Craig about it in depth and it made me realize the situation a little clearer. The show was going a certain way, had a certain pace, had a certain feel, and I just didn't really want to play that particular kind of show. I wanted and was trying to do some grounded scenes and that just wasn't the show for that. It was a high-energy pedal-to-the-metal type show and I didn't want it to be that. And that's fine. From time to time you aren't in the mood or you take a back seat in a show and that's fine. You just deal with that. For me I almost never take a back seat in a show so when I feel myself doing that I don't like it. That's something I need to work on. Also I'm a professional. I should act that way. If a show is going on I'm not crazy about doing I still have the ability to contribute and participate. I have the skill, I need to work on the maturity or presence of mind or whatever to deal with it, suck it up, and pitch in. If my ideas aren't being accepted push it and get them in there or go whole hog with someone elses.
Overall it was a learning experience. I didn't enjoy the show but I think I learned more from it than from the last month of really fun shows.
We learn more from failure than success.
Saturday, February 23, 2013
'The Gatekeepers' & 'Beautiful Creatures' Reviews
The Gatekeepers is a documentary about the history of the Shin Bet, the Israeli secret agency involved with anti-terrorism, as told by six of its former heads. The film moves fast with shockingly honest interviews from the six heads juxtaposed with found footage and animated sequences. The film doesn't presume you know a lot about the the Israeli-Palestinian conflict but doesn't spend a lot of time outlining it, it drops us in at the beginning and tells us how it was from the Israeli perspective.
The film moves incredibly fast but never outstrips its audience. The amount of information presented is astonishing but the real finesse of the film is that its all conveyed successfully. Coming out of the film you feel like you understand or at least you have the beginning of an understanding. The honesty, directness, and unapologetic attitude that all of the men have is also a strength of the film. It raises interesting questions on the idea of life and death, politics, and espionage.
But in the end, like most documentaries, it leaves us with questions not solutions.
See It.
Beautiful Creatures is a teen fantasy romance movie based on the book of the same name. The film follows Ethan, a small town boy, as he falls in love with witch-to-be Lena. The big conflict in the film is that as Lena approaches her 16th birthday she can either be chosen for light magic or dark magic depending on her true nature. Is it good or is it evil? Where does Ethan fit in?
In the vein of Twilight but with far superior dialogue, characters, and plot. It's an enjoyable coming of age romance with magic.
Rent It.
The film moves incredibly fast but never outstrips its audience. The amount of information presented is astonishing but the real finesse of the film is that its all conveyed successfully. Coming out of the film you feel like you understand or at least you have the beginning of an understanding. The honesty, directness, and unapologetic attitude that all of the men have is also a strength of the film. It raises interesting questions on the idea of life and death, politics, and espionage.
But in the end, like most documentaries, it leaves us with questions not solutions.
See It.
Beautiful Creatures is a teen fantasy romance movie based on the book of the same name. The film follows Ethan, a small town boy, as he falls in love with witch-to-be Lena. The big conflict in the film is that as Lena approaches her 16th birthday she can either be chosen for light magic or dark magic depending on her true nature. Is it good or is it evil? Where does Ethan fit in?
In the vein of Twilight but with far superior dialogue, characters, and plot. It's an enjoyable coming of age romance with magic.
Rent It.
Friday, February 22, 2013
Anti-Comedy
im a poo poo train conductor and i live in a garbage house. my house is made of diapers that all the little babies poo poo and pee pee in. its stinky! every morning i roll out of all the used poo poo and pee pee diapers and go down to the poo poo train station for a long day of work on the fart furnace. i eat beans all day and fart all kinds of farts in the fart furnace to make the train go. the stinkiest farts make the train go the fastest. ppppppffffffff, luuuuuurrrrrp, bammmmmmffff, blooooooouuuurrrrrrpppp, ppplllllurrrrrb. those are the farts i fart into the fart furnace all day long. sometimes when im on my lunch break i still have to fart so i run to the end of the train and fart off the caboose to speed up the train. like a rocket! the train is all made of poop so everyone who rides it is stinky all day long.
poopoopeepee stinkstankstunk.
poopoopeepee stinkstankstunk.
Thursday, February 21, 2013
Open Letter To Those I Hate
To all my enemies that add flavor to my life,
Thank you for inspiring me. For helping me clarify, solidify, and harden what I believe. For the passion you stir up in me. The diatribes you provoke and the action you incite. For being someone to stand up to, to oppose, to vilify. Thank you for reminding me that not everyone thinks like me. For goading me to engage. Thank you for being mean or crass or inconsiderate. For talking when you shouldn't. For your naked fervor which mirrors mine.
I love to hate you. In fact, I think, I simply love you and your contradictory nature. Your brash and bluster. Your utter certainty that you are right. You provide the world with a wonderful depth and variety.
I will argue with you. Fight against you. Tear you down. I believe in justice and I want it done. But please know that I respect you.
I love the struggle you and I are in. I thank you for it.
Love,
Steve
Thank you for inspiring me. For helping me clarify, solidify, and harden what I believe. For the passion you stir up in me. The diatribes you provoke and the action you incite. For being someone to stand up to, to oppose, to vilify. Thank you for reminding me that not everyone thinks like me. For goading me to engage. Thank you for being mean or crass or inconsiderate. For talking when you shouldn't. For your naked fervor which mirrors mine.
I love to hate you. In fact, I think, I simply love you and your contradictory nature. Your brash and bluster. Your utter certainty that you are right. You provide the world with a wonderful depth and variety.
I will argue with you. Fight against you. Tear you down. I believe in justice and I want it done. But please know that I respect you.
I love the struggle you and I are in. I thank you for it.
Love,
Steve
Wednesday, February 20, 2013
Belated Valentine
Punam and I didn't get a chance to do anything for Valentines day last week so we celebrated tonight. We saw Beautiful Creatures(review to come) which both of us have been looking forward to and then went to my favorite place to get steak in Chicago Las Tablas. The steak is seasoned and sauced to perfection and each entree comes with potato, yucca, and fried plantain. Delicious. All in all it was a great evening.
I never put much stock in anniversaries or Valentines day. I always feel weird if there is a built in societal expectation for a holiday or celebration: this needs to be special and if it's not it's a failure(see also New Years Eve). It feels like a lot of pressure with little chance at success. But I realized what it's really about is taking a time out, spending time with the one you love, and in no uncertain terms letting them know you love them. Going out, doing something you don't normally do, breaking the routine. If you extricate yourself from the commercial hype you're free to enjoy yourself.
The best gifts are the unexpected ones, the best dates are the spontaneous ones. But sometimes we all need a gentle reminder to get out of our heads, to get out of our own lives, and focus on that special someone.
Periodically we need to be reminded to be unexpected and spontaneous.
I never put much stock in anniversaries or Valentines day. I always feel weird if there is a built in societal expectation for a holiday or celebration: this needs to be special and if it's not it's a failure(see also New Years Eve). It feels like a lot of pressure with little chance at success. But I realized what it's really about is taking a time out, spending time with the one you love, and in no uncertain terms letting them know you love them. Going out, doing something you don't normally do, breaking the routine. If you extricate yourself from the commercial hype you're free to enjoy yourself.
The best gifts are the unexpected ones, the best dates are the spontaneous ones. But sometimes we all need a gentle reminder to get out of our heads, to get out of our own lives, and focus on that special someone.
Periodically we need to be reminded to be unexpected and spontaneous.
Tuesday, February 19, 2013
Inciting Incident 14
I ask friends "When did you first feel the need to perform?" This comes from Chicago's resident tall skinny funnyman and twin: John Pantlind.
Monday, February 18, 2013
Discord
I speak un-notes
that make un-melodies and
atonal stanzas into
un-keyed movements and
octaveless operettas with
un-modulated monotone.
my wood is warped
my strings, tight.
Un-broken but off-key.
Time to Tune.
that make un-melodies and
atonal stanzas into
un-keyed movements and
octaveless operettas with
un-modulated monotone.
my wood is warped
my strings, tight.
Un-broken but off-key.
Time to Tune.
Sunday, February 17, 2013
Six Shooter And Shorts
I went to see the Oscar nominated shorts yesterday for the first time ever. They were all good, some of them more original and insightful than others. My favorites were Asad and Death Of A Shadow. The other three deal with fairly conventional or overdone subject matter which can come across pretty heavy handed in twenty minutes: suicide, Alzheimer's etc.
Short film is an interesting medium. Seeing all five back to back really got me interested and engaged. What changes do you have to make when your time is constrained? What different ideas do you explore? It got me interested to watch some of my friends short films and maybe try to make one of my own.
The above is an Oscar winner from 2005 starring my favorite actor Brendan Gleeson. Worth the watch if you've got the time.
Saturday, February 16, 2013
'John Dies At The End' & 'Die Hard 5' Reviews
John Dies At The End is a SciFi/Horror/Comedy with a non-linear plot structure. Two young friends discover a world of zombies, ghosts, alternate worlds, and aliens. They endeavor to save the world. A sure hit for genre fans and a potential pleasure for everyone else.
The one hiccup of the film is the casting of Chase Williamson as the lead David Wong. Williamson's self important, sarcastic, idiotic, faux-hipster attitude puts a damper on some scenes. A different actor, any actor, would have made the roll more harmonious. But he doesn't take away that much from an ambitious idea playfully executed.
A fun mind-bending ride.
See It.
A Good Day To Die Hard is a pathetic excuse for an action movie and a blatant cash grab at anyone still invested in the Die Hard franchise. The film contains no character and virtually no plot. A high school sophomore in Drama 101 could have written a better script. Bruce Willis has no trace of the wit or depth that was once John Mcclane. Most of the time he seems to be reading off cue cards. You can see Willis counting his paycheck with every line he grunts.
The movie follows no sense of logic and doesn't have a real person in it.
Don't See It.
The one hiccup of the film is the casting of Chase Williamson as the lead David Wong. Williamson's self important, sarcastic, idiotic, faux-hipster attitude puts a damper on some scenes. A different actor, any actor, would have made the roll more harmonious. But he doesn't take away that much from an ambitious idea playfully executed.
A fun mind-bending ride.
See It.
A Good Day To Die Hard is a pathetic excuse for an action movie and a blatant cash grab at anyone still invested in the Die Hard franchise. The film contains no character and virtually no plot. A high school sophomore in Drama 101 could have written a better script. Bruce Willis has no trace of the wit or depth that was once John Mcclane. Most of the time he seems to be reading off cue cards. You can see Willis counting his paycheck with every line he grunts.
The movie follows no sense of logic and doesn't have a real person in it.
Don't See It.
Friday, February 15, 2013
A Disturbing Dream 8
I'm a camp counselor again. My old boss has assembled all the best counselors from my seven years at Camp Conestoga for one all-star summer. The facility has been expanded and upgraded considerably since I was last employed there. All this is internal logic which I understand instantly when the dream starts. I'm chastising one of my former campers Aaron. I'm my current age, he hasn't aged at all.
I'm scolding him for not participating and ignoring the instructions of another counselor. He's in turns not responding, sassing, and attempting to walk away. It goes on for a while but I can see it's not getting through. I get really aggravated and say "OK. The hard way."
I pick Aaron up and put him under my arm. The camp lodge is at the top of a large hill and I take off running down it. My intent is to scare Aaron into obedience. I'm going pretty fast and then I go head first down a path which was turned into a mud slide. We gain speed. At the end of the slide there's the start of a zip line. I launch us from the slide to the zip line accelerating to a very dangerous speed. The zip line ends at the bottom of the hill into a large pond. At the end of the line I use the momentum to propel us further into the air and grab a vine hanging from a tree and swing the entire length of the pond ending up on the top of the water fall that feeds the pond. I run across an unsteady rock bridge which crosses the top of the falls and finally stop.
I look down at my arm and Aaron isn't there. I panic. I must have dropped him at some point. I dive from the falls into the pond and swim towards the beach where some campers are lounging. I shout. I search the waters for a while and solicit the help of the near by campers. We find nothing.
I retrace my steps as meticulously as I can but I find no trace of Aaron. I start to feel really guilty. I become convinced he's dead some where. I spend the rest of the afternoon looking for him but I come up empty handed. I make my way back to the lodge and there he is.
Me: Aaron! You scared me half to death!
Aaron: I slipped out in the mud. I'm a slick little pig. Oink!
Me: Aaron, listen buddy. I'm sorry I tried to scare you but you need to participate ok?
Aaron: Some of the kids don't like me and I don't like them. They pick on me.
Me: Listen buddy, I hear ya. I get that sometimes too. But instead of talking back to Dominique if something bothers you I need you to tell her or tell me what's really going on. OK?
Aaron: OK.
Me: I know it's hard buddy. It's hard to tell people what we feel. But you know what?
Aaron: What?
Me: It's always better if we do. All us counselors are here to help. And everyone is here to have some fun. You like fun right?
Aaron: Oink!
Me: Me too. You wanna shoot a quick round of archery?
Aaron: Oink!
I awoke.
I'm scolding him for not participating and ignoring the instructions of another counselor. He's in turns not responding, sassing, and attempting to walk away. It goes on for a while but I can see it's not getting through. I get really aggravated and say "OK. The hard way."
I pick Aaron up and put him under my arm. The camp lodge is at the top of a large hill and I take off running down it. My intent is to scare Aaron into obedience. I'm going pretty fast and then I go head first down a path which was turned into a mud slide. We gain speed. At the end of the slide there's the start of a zip line. I launch us from the slide to the zip line accelerating to a very dangerous speed. The zip line ends at the bottom of the hill into a large pond. At the end of the line I use the momentum to propel us further into the air and grab a vine hanging from a tree and swing the entire length of the pond ending up on the top of the water fall that feeds the pond. I run across an unsteady rock bridge which crosses the top of the falls and finally stop.
I look down at my arm and Aaron isn't there. I panic. I must have dropped him at some point. I dive from the falls into the pond and swim towards the beach where some campers are lounging. I shout. I search the waters for a while and solicit the help of the near by campers. We find nothing.
I retrace my steps as meticulously as I can but I find no trace of Aaron. I start to feel really guilty. I become convinced he's dead some where. I spend the rest of the afternoon looking for him but I come up empty handed. I make my way back to the lodge and there he is.
Me: Aaron! You scared me half to death!
Aaron: I slipped out in the mud. I'm a slick little pig. Oink!
Me: Aaron, listen buddy. I'm sorry I tried to scare you but you need to participate ok?
Aaron: Some of the kids don't like me and I don't like them. They pick on me.
Me: Listen buddy, I hear ya. I get that sometimes too. But instead of talking back to Dominique if something bothers you I need you to tell her or tell me what's really going on. OK?
Aaron: OK.
Me: I know it's hard buddy. It's hard to tell people what we feel. But you know what?
Aaron: What?
Me: It's always better if we do. All us counselors are here to help. And everyone is here to have some fun. You like fun right?
Aaron: Oink!
Me: Me too. You wanna shoot a quick round of archery?
Aaron: Oink!
I awoke.
Thursday, February 14, 2013
Graffiti 89
"Not all who wonder are lost." -J.R.R. Tolkien
"I have never been lost, but I will admit to being confused for several weeks." -Daniel Boone
"Love is never lost. If not reciprocated, it will flow back and soften and purify the heart." -Washington Irving
"At the innermost core of all loneliness is a deep and powerful yearning for union with one's lost self." -Brendan Francis
"I have never been lost, but I will admit to being confused for several weeks." -Daniel Boone
"Love is never lost. If not reciprocated, it will flow back and soften and purify the heart." -Washington Irving
"At the innermost core of all loneliness is a deep and powerful yearning for union with one's lost self." -Brendan Francis
Wednesday, February 13, 2013
Pay It Forward
Happiness is a weird thing. You have to give it away in order to keep it. It's not that selfishness is synonymous with sadness. People who are selfish can be happy. But they are only happy for a little while. Then they have to keep on seeking out things to make them happy: personal accomplishments, putting down others accomplishments, a better apartment, a better car, a better wardrobe, better places to eat, and on and on. They're a mouse on a treadmill running after a piece of dangling cheese. Sometimes they get a bite and that keeps them running. But they'll never realize they can simply step off the treadmill.
In order to be happy you need to be content. Not satisfied, just content. You are where you are. Thinking about where you want to be or where you ought to be gets you nothing but anxiety. If you have things you want to do try and do them. Make plans, make goals, challenge yourself, and then follow through as much as you can. If you don't accomplish everything you want that's ok. You tried. You learn as much and gain as much from the struggle or the process than you do when you finally get that thing that you want.
Once you are content you invest in other people. Be there for your loved ones. Listen, make time, support. Everyone needs help from time to time. With anything: money, relationship, friendships, SAD, a ride, whatever. When you give of yourself, your time and energy, to loved ones, or even strangers, there's a symbiotic thing that happens. By helping someone else you are helped. By giving a little of your happiness away to someone who needs it you aren't depleting your own, you're doubling it.
A selfish person only thinks about themselves. Their world is small and doomed for a shallow range of feelings most of which are negative. If you put yourself out there, try to help others, and try to do the things that bring you joy and inspiration and growth the capacity for happiness is unending.
In order to be happy you need to be content. Not satisfied, just content. You are where you are. Thinking about where you want to be or where you ought to be gets you nothing but anxiety. If you have things you want to do try and do them. Make plans, make goals, challenge yourself, and then follow through as much as you can. If you don't accomplish everything you want that's ok. You tried. You learn as much and gain as much from the struggle or the process than you do when you finally get that thing that you want.
Once you are content you invest in other people. Be there for your loved ones. Listen, make time, support. Everyone needs help from time to time. With anything: money, relationship, friendships, SAD, a ride, whatever. When you give of yourself, your time and energy, to loved ones, or even strangers, there's a symbiotic thing that happens. By helping someone else you are helped. By giving a little of your happiness away to someone who needs it you aren't depleting your own, you're doubling it.
A selfish person only thinks about themselves. Their world is small and doomed for a shallow range of feelings most of which are negative. If you put yourself out there, try to help others, and try to do the things that bring you joy and inspiration and growth the capacity for happiness is unending.
Tuesday, February 12, 2013
Guys Like Flowers
I love flowers. I've never been given flowers. Not after a show or graduation or for a special occasion. I don't know if it's because I'm a straight guy and there's some weird societal hang up about that or if it's because I don't seem like the kind of guy that would be comfortable accepting a beautiful bouquet. But I would.
With Valentine's day on the horizon I would urge people to give straight guys some roses. They like 'em too.
Monday, February 11, 2013
Crossroads
I met the devil in an alley while I was taking out the trash.
He was leaning against a street light next to a dumpster. He wore a black jump suit and a black ball cap which shadowed his face. I threw my trash away and was about to go back inside when he spoke "Got a light?" I did. I took a couple steps toward him while I was reaching for my lighter. He had an exclamation point on his cap and a name patch on his jumpsuit. "Garbage Man". He took something long and black from his pocket and put it between his lips. I flicked the lighter and brought the flame toward his face.
He was pale. With even diagonal scars going from the upper left side of his face down to the right. His eyes were blue-gray, the whites yellow, egg like, and runny. His teeth were the dirty pearl, some broken, all jagged. I lit his cigarette and put the lighter away. He took a deep drag and exhaled a cloud of blue smoke. It smelled like a shorted out circuit board. Scorched plastic and ozone. I stood there and watched him smoke feeling it impolite to leave.
We eyed each other.
I noticed his fingers. Impossibly long. Delicate.
Eventually he said "Git."
I got.
He was leaning against a street light next to a dumpster. He wore a black jump suit and a black ball cap which shadowed his face. I threw my trash away and was about to go back inside when he spoke "Got a light?" I did. I took a couple steps toward him while I was reaching for my lighter. He had an exclamation point on his cap and a name patch on his jumpsuit. "Garbage Man". He took something long and black from his pocket and put it between his lips. I flicked the lighter and brought the flame toward his face.
He was pale. With even diagonal scars going from the upper left side of his face down to the right. His eyes were blue-gray, the whites yellow, egg like, and runny. His teeth were the dirty pearl, some broken, all jagged. I lit his cigarette and put the lighter away. He took a deep drag and exhaled a cloud of blue smoke. It smelled like a shorted out circuit board. Scorched plastic and ozone. I stood there and watched him smoke feeling it impolite to leave.
We eyed each other.
I noticed his fingers. Impossibly long. Delicate.
Eventually he said "Git."
I got.
Sunday, February 10, 2013
'Hansel & Gretel' & 'Warm Bodies' Reviews
Hansel & Gretel Witch Hunters is a fun fantasy adventure. The premise is simple. The film starts with the classic tale of how Hansel and Gretel as kids were left in the woods, lured into a house of candy, and killed the witch that wanted to eat them. In a montage we find that from then on Hansel and Gretel made their living killing witches. They come to a town which is missing children and they uncover a plot by a whole coven of witches to become immune to fire through sacrificing twenty or so kids.
What follows is jokes, decent action, and a plot that moves along. It never takes it self too seriously but it never winks at us. It walks the line but never falls into camp. A shockingly enjoyable film. Exactly what it says it will be. Nothing more, nothing less.
See It.
Warm Bodies is a zombie romance. The apocalypse has happened and a zombie boy falls in love with a human girl. The more they interact the more human the zombie boy gets. Worlds collide, conflict ensues. The premise is an interesting take on classic zombie fare but there is an opportunity to push genre conventions which they never really take. Interesting but slow moving. Much like a zombie.
Rent It.
What follows is jokes, decent action, and a plot that moves along. It never takes it self too seriously but it never winks at us. It walks the line but never falls into camp. A shockingly enjoyable film. Exactly what it says it will be. Nothing more, nothing less.
See It.
Warm Bodies is a zombie romance. The apocalypse has happened and a zombie boy falls in love with a human girl. The more they interact the more human the zombie boy gets. Worlds collide, conflict ensues. The premise is an interesting take on classic zombie fare but there is an opportunity to push genre conventions which they never really take. Interesting but slow moving. Much like a zombie.
Rent It.
Saturday, February 9, 2013
Diner Mandala
We wake up. We wake up. We wake up.
We eat. We eat. We eat.We shower. We shower. We shower.
We shit. We shit. We shit.
We shave. We shave. We shave.
We talk. We talk. We talk.
We work. We work. We work.
We eat. We eat. We eat.
We dance. We dance. We dance.
We sleep. We sleep. We sleep.
We dream. We dream. We dream.
Friday, February 8, 2013
Art Institute
I met James and Jimmy at the Art Institute. I haven't been in a while, it was nice to go check in with the place and to go with two friends I do comedy with. Try to get a different perspective, talk about something other than improv. Most of the older stuff I've seen and I'm not really intrigued by. Whenever I'm at a museum I make a b-line for the modern art wing. Realism and the constraint of style in older eras and movements I find somewhat repetitive. Religious art, for the most part, I find especially bland. Maybe it's because I don't know much about Christianity so this painting or that painting of Saint whoever wrestling the wolf of Trafalgar doesn't really click with me.
It was great to talk with Jimmy and James about art and of course make jokes about a lot of the pieces. We were constantly harassed because Jimmy had a bag which evidently they don't want you wearing on your back anymore. We also set off a lot of motion sensors for being too close.
This was in the modern wing which we finally found hidden in the back of the museum. It's called 'Oblivion'.
James: I like this one. How much do you think it cost?
Jimmy: If you have to ask, it's too much.
It was great to talk with Jimmy and James about art and of course make jokes about a lot of the pieces. We were constantly harassed because Jimmy had a bag which evidently they don't want you wearing on your back anymore. We also set off a lot of motion sensors for being too close.
This was in the modern wing which we finally found hidden in the back of the museum. It's called 'Oblivion'.
James: I like this one. How much do you think it cost?
Jimmy: If you have to ask, it's too much.
Thursday, February 7, 2013
Rage 2
I almost hit a man on the train. It was crowded. It was during rush hour. I was listening to a podcast. I was standing in the middle of the aisle close to one of the doors. This man was in the middle of the car. He was in his 50's, probably 5'5'', and slim. We were approaching the Belmont station and hadn't yet come to a stop. He started to make his way towards the door and was behind me on my left when he said "Coming out here!" And I became angry.
It wasn't so much what he said it was how he said it- as if the train was full of thoughtless idiots, as if we all should know to get out of the way, on a packed train, before the train had even stopped. I looked over my left shoulder and made eye contact with him. I imagined grabbing him by the front of his jacket with my left hand and smashing his glasses into his face with my right fist, pivoting from the waste and coming up and over from the shoulder to maximize the power of the blow. He wouldn't be able to bring his hands up to protect himself because they were pinned by other people around him. I imagined running off the train and out of the station in order to avoid any cops that would happen to be in the vicinity. I figured that if I did it fast enough no one would react in time for me to face any repercussions.
I had this thought very quickly then turned back to the train wall and got as close as I could to the people sitting in front of me in order to provide room for him to exit. He didn't say anything else, the train stopped, and he exited.
I had the thought but I discarded it. I became angry very fast but the feeling left me just as quickly.
We're all works in progress.
It wasn't so much what he said it was how he said it- as if the train was full of thoughtless idiots, as if we all should know to get out of the way, on a packed train, before the train had even stopped. I looked over my left shoulder and made eye contact with him. I imagined grabbing him by the front of his jacket with my left hand and smashing his glasses into his face with my right fist, pivoting from the waste and coming up and over from the shoulder to maximize the power of the blow. He wouldn't be able to bring his hands up to protect himself because they were pinned by other people around him. I imagined running off the train and out of the station in order to avoid any cops that would happen to be in the vicinity. I figured that if I did it fast enough no one would react in time for me to face any repercussions.
I had this thought very quickly then turned back to the train wall and got as close as I could to the people sitting in front of me in order to provide room for him to exit. He didn't say anything else, the train stopped, and he exited.
I had the thought but I discarded it. I became angry very fast but the feeling left me just as quickly.
We're all works in progress.
Wednesday, February 6, 2013
Graffiti 88
I don't know if this is a warning, a joke, or a sign. I saw this only a couple blocks away from the lake so maybe it's a secret drug ad. Or maybe it's some kind of comment about the accessibility of drugs in our culture or the fact that younger and younger kids are used by drug dealers to sell on the street because the justice department doesn't prosecute them as severely. Either way it's disturbing.
“I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.” -Edgar Allen Poe
"Whether you sniff it smoke it eat it or shove it up your ass the result is the same: addiction." -William S. Burroughs
“There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.” -Stephen King
“People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other." -Wendell Berry
“I have absolutely no pleasure in the stimulants in which I sometimes so madly indulge. It has not been in the pursuit of pleasure that I have periled life and reputation and reason. It has been the desperate attempt to escape from torturing memories, from a sense of insupportable loneliness and a dread of some strange impending doom.” -Edgar Allen Poe
"Whether you sniff it smoke it eat it or shove it up your ass the result is the same: addiction." -William S. Burroughs
“There'a a phrase, "the elephant in the living room", which purports to describe what it's like to live with a drug addict, an alcoholic, an abuser. People outside such relationships will sometimes ask, "How could you let such a business go on for so many years? Didn't you see the elephant in the living room?" And it's so hard for anyone living in a more normal situation to understand the answer that comes closest to the truth; "I'm sorry, but it was there when I moved in. I didn't know it was an elephant; I thought it was part of the furniture." There comes an aha-moment for some folks - the lucky ones - when they suddenly recognize the difference.” -Stephen King
“People use drugs, legal and illegal, because their lives are intolerably painful or dull. They hate their work and find no rest in their leisure. They are estranged from their families and their neighbors. It should tell us something that in healthy societies drug use is celebrative, convivial, and occasional, whereas among us it is lonely, shameful, and addictive. We need drugs, apparently, because we have lost each other." -Wendell Berry
Tuesday, February 5, 2013
Double Feature And A Burger
Punam and I caught two movies tonight and went to 5 Guys in between. I've never been and it didn't quite live up to the hype. The burger was good but not great, the soda machine actually impressed me more. I think it suffered from years of people telling me how good it was before I actually had one.
We saw Hansel and Gretel: Witch Hunters and Warm Bodies two simple silly movies both really enjoyable(reviews to come). As campy as they were Punam still jumped at parts in both which is always ok by me because she grabs my arm and hides her face in my shoulder. I get to be tough.
Both of us are always busy especially at night so it's important to dedicate some time every now and again to having an actual date. As time passes I think it's easy for relationships to become routine, for some of the magic to be lost, for things to become too casual. You combat that by making plans and making time and doing small fun special things for each other.
I don't think I was ever a good boyfriend before Punam. I always had secrets and one foot out the door. Now I'm learning how to be honest, to be there, to make things work. And sometimes it is work, any relationship is that lasts longer than a couple weeks. But most of the time its not.
Most of the time it's just love and fun.
We saw Hansel and Gretel: Witch Hunters and Warm Bodies two simple silly movies both really enjoyable(reviews to come). As campy as they were Punam still jumped at parts in both which is always ok by me because she grabs my arm and hides her face in my shoulder. I get to be tough.
Both of us are always busy especially at night so it's important to dedicate some time every now and again to having an actual date. As time passes I think it's easy for relationships to become routine, for some of the magic to be lost, for things to become too casual. You combat that by making plans and making time and doing small fun special things for each other.
I don't think I was ever a good boyfriend before Punam. I always had secrets and one foot out the door. Now I'm learning how to be honest, to be there, to make things work. And sometimes it is work, any relationship is that lasts longer than a couple weeks. But most of the time its not.
Most of the time it's just love and fun.
Monday, February 4, 2013
I dreamt my aunt was still alive
I dreamt my aunt was still alive. Her and my uncle had moved
into an apartment right next to my cousin. Only it was like a fun house
apartment with really steep slanted floors. My sisters and I were running
around the apartment and it was only when I ran back to my aunt and uncle to
tell them I liked the place that I remembered my aunt was dead. I said to her,
“Oh, I forgot, you’re dead.” And she looked at me and kind of shrugged.
In real life – not the dream anymore – I just interviewed an
undertaker who owns the oldest funeral home in the city. He lives above the
funeral home in the same apartment his grandfather lived in when he took care
of the dead. We were talking about the importance of wakes. Back before the
1950's, wakes used to go for three days. After the 50's, it went down to two days
and now of course it’s just the one. The undertaker told me the reason it used
to be three was to help the living mourn. And by mourn, he meant, help them
believe the person was really dead.
“If they didn’t believe grandpa was dead on Tuesday, they
sure believed it on Thursday,” he said.
Back in the day, when his dad was the undertaker, my
undertaker was just a kid wandering through someone’s wake during the summer,
watching the family mourn over a body that was basically melting while smelling
salts were passed around to dim the stench.
Later he said to his dad, “Dad, why do we do this to people?
Why do we put them through this?”
His dad said, “Because it’s a natural process and they need
to see it to move on with their lives.”
I never got to see my aunt’s body. She had cancer on and off
for six years, and by the end, her body had shrunken to a Gollum-like state. I
saw her like this before she died and while it was jarring, it was still her in
there. Still with her cute button nose and expressive eyes and always with her
humor.
Instead of a wake, we went to a “memorial” at my cousin’s
house and I remember thinking it felt weird and forced and that something was
missing. Or maybe it was that a couple of things were missing. The body, and
our chance to touch it and kiss it and send it off into the great beyond – and
the undertaker, that River Styx man who walks farther with the dead than most
of us ever will.
I asked the undertaker, “How do you deal with the dead?”
He said, “I don’t think I consciously deal with them. I go
back there and do what I have to do. You may go through a whole day not
thinking of your mortality. Well, I see my mortality everyday.”
Sunday, February 3, 2013
'Quartet' & 'Stand Up Guys' Reviews
Subtitle: Old People Movies
Stand Up Guys is a hodge-podge of every crime movie cliche sprinkled with some Viagra jokes. The script is terrible, the plot is a scatter shot of trite nonsense regurgitated from Scent Of A Woman, and the actors are visibly the worse for their years. Pacino is obviously past his prime, Arkin dies shortly after his introduction into the movie, and Walken's character is almost non-existent. You'd think that at least putting these three in a movie together would be enjoyable to watch but it just comes off sad.
The movie can't decide if its a comedy or a crime drama. The jokes are tired and corny and the action is played with little to no reality. A thorough depressing waste of time.
Don't See It.
Quartet is a film about a musicians retirement home. Maggie Smith is a recent arrival that upsets the balance of the home because of her past romantic involvement with Tom Courtenay. Every year the home puts on a recital to raise money for the home and after some convincing Maggie Smith agrees to perform the quartet which made her Courtenay, Billy Connolly, and Pauline Collins famous.
The film is quiet and sweet. The performances are great and the music throughout is a lovely back drop. It's a simple film that doesn't pack a lot of punch but is still engaging. After watching it I was not worried about getting old.
Rent It.
The movie can't decide if its a comedy or a crime drama. The jokes are tired and corny and the action is played with little to no reality. A thorough depressing waste of time.
Don't See It.
Saturday, February 2, 2013
Recognition
I was recognized twice this week. At the train station a girl came up to me and said "you're a really good improviser" then walked away. On the bus I could hear a guy behind me telling his girlfriend "that's the guy from the other night..." It's very flattering and gratifying in a weird way but its also kind of discomforting.
It only started to happen with some frequency in the past year. At iO it's not uncommon to have people come up and want to talk after shows, tell you good show, ask for info or advise about the theater. Most of the time I don't mind that, in fact I quite enjoy it. I simply say thanks for coming, maybe introduce myself, and answer any questions they have. Almost always the conversation comes to a very awkward pause. At that point I make my excuses and walk away. It's much more difficult if I get recognized outside the building.
Sometimes people don't know where they know me from. Sometimes I'm on the CTA and there's really no where to go so I end up getting to that awkward pause but still have another ten minute commute ahead. Most of the time I just don't know what to say, I don't know what the other person wants, the conversation is a struggle. Don't get me wrong I love when people come to my shows, I love when people come and enjoy them even more, it's just one of those weird things. And I don't mean to imply I get recognized so much it's a hassle, it only happens a couple times a month, but whenever it does more often than not it's kind of weird. It also gives me an odd boost, a weird affirmation of my talent.
It got me thinking about celebrity. Now I figure I'm on the lowest possible end of recognition. Imagining what it would be like being recognized all the time- everywhere you went, being stared at, interrupted while shopping or going to the movies- is terrifying and maddening.
I love performing almost more than anything. There's no cost yet or a few odd interactions is a negligible cost. As the audiences I reach grow, and I'd like to play to bigger and bigger audiences, I imagine the price to rise as well. But thinking about it I know there's no price I wouldn't pay.
It only started to happen with some frequency in the past year. At iO it's not uncommon to have people come up and want to talk after shows, tell you good show, ask for info or advise about the theater. Most of the time I don't mind that, in fact I quite enjoy it. I simply say thanks for coming, maybe introduce myself, and answer any questions they have. Almost always the conversation comes to a very awkward pause. At that point I make my excuses and walk away. It's much more difficult if I get recognized outside the building.
Sometimes people don't know where they know me from. Sometimes I'm on the CTA and there's really no where to go so I end up getting to that awkward pause but still have another ten minute commute ahead. Most of the time I just don't know what to say, I don't know what the other person wants, the conversation is a struggle. Don't get me wrong I love when people come to my shows, I love when people come and enjoy them even more, it's just one of those weird things. And I don't mean to imply I get recognized so much it's a hassle, it only happens a couple times a month, but whenever it does more often than not it's kind of weird. It also gives me an odd boost, a weird affirmation of my talent.
It got me thinking about celebrity. Now I figure I'm on the lowest possible end of recognition. Imagining what it would be like being recognized all the time- everywhere you went, being stared at, interrupted while shopping or going to the movies- is terrifying and maddening.
I love performing almost more than anything. There's no cost yet or a few odd interactions is a negligible cost. As the audiences I reach grow, and I'd like to play to bigger and bigger audiences, I imagine the price to rise as well. But thinking about it I know there's no price I wouldn't pay.
Friday, February 1, 2013
Inciting Incident 13
I ask friends "When did you first feel the need to perform?" This comes from Nashville stand-up turned Chicago improviser Damian Anaya.
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